Posted by: Nom nom on: January 21, 2010
What it should llok like at the end. I felt safer doing a video for the presentation; though now looking at the quality it would be an embarrassment now…
Posted by: Nom nom on: January 21, 2010
Rough layout of some designers I looked at too see the increase of title sequences as well as where influences come from:
Posted by: Nom nom on: January 20, 2010
Selected pieces to be used in presentation to get the message of processes in title sequences (create visual solutions): Directors Designers from filmmaking backgrounds for film, and television Group of designers with varying skills Consultation between designer and director of film Allow ideas to evolve from listening and discussing the director’s vision Director’s choice comes [...]
Posted by: Nom nom on: January 20, 2010
Looking at designing companies that deal with film and motion in title sequences, there’s an underlining rule; willingness to listen, discuss and change according to the directors vision and choices. This is from the onset of figuring out the tone of the piece through; themes, style, music, timing, era, symbolism, colours, typography, script, exploring, experimentation, [...]
Posted by: Nom nom on: January 20, 2010
Knowing your COPYRIGHTS
Posted by: Nom nom on: January 20, 2010
IMAGINARY FORCES Mark Gardner and Steve Fuller Know the film directors work, to know their style and standards The film director sets he bar with their vision; period, tone, signifiers, metaphors, actions There’s a build up of tension and climax that come to a consequential outcome, which still leaves the viewers wondering what the details [...]
Posted by: Nom nom on: January 20, 2010
KYLE COOPER Each film presents a different problem to solve ‘Everything your hand finds to do, do it with all of your might.’ – Kyle Cooper Creative work on the titles comes at the post-production of the film. Production starts in the final stages of the film Directors call on Cooper for him to tap [...]
Posted by: Nom nom on: January 20, 2010
KARIN FONG Direct and design mostly for film, television, and environmental projects Title sequences starts off with the consultation between the designer and director; basic themes, concept in the script, sometimes there’s one clear idea or a couple of directions that needs experimentation to see what makes sense for the film Title sequences are commissioned [...]
Posted by: Nom nom on: January 19, 2010
SAUL BASS Like making a poster – condensing the event into one concept-one metaphor, a back narration or introduction of a character. Aesthetics is important even if nobody cares even the director. Care about their work.